Im März letzten Jahres ist Carolee Schneemann verstorben. Artist Carolee Schneeman began work on her film Fuses in 1964, eventually finishing it 1967. March 2015; February 2015; Category: Performance. The artist is best known for the provocative use of her nude body to explore personal expression, sexual taboos and feminism in both multi-media performances and solo improvisational work. Publications. more . May 21, 2013 @7-10pm.
Thematic Exhibition .
2013 SPRING BENEFIT. Carolee Schneemann Residency, curated by Jenny Jaskey, Artist’s Institute at Hunter College, New York, NY. more . Der anagrammatische Körper. Carolee Schneemann. New York Painting 1967–1975. Dabei darf auch die Ikone des Feminismus nicht fehlen.Muzeum Susch stösst mit einer Gegenüberstellung von über 60 Werken von 13 Carolee Schneemann Archives. 2014 . Exhibitions / Events. Rudolf Frieling and Dieter Daniels (Eds.)
more . The following oral history transcript is the result of a digitally recorded interview with Carolee Schneemann on March 1, 2009. Lost Meanings of the Christmas Tree, invitational performance, Whitney Museum of American Art, New York, NY. The interview took place at the artist's studio in Springtown, New York, and was conducted by Judith Olch Richards for the Archives of American Art, Smithsonian Institution.
Ihr Werk gilt als innovativ und einflussreich. Carolee Schneemann actively engaged in performance art, experimental film-making, the Fluxus movement and feminist theory in the 1960s-1970s. Eye Body was Schneemann’s first use of her physical body as an active agent in her art work. Carolee Schneemann: Her Letters, G Gallery, Kunstverein Toronto, Ontario, Canada. Das Muzeum Susch stösst mit einer Gegenüberstellung von über 60 Werken von 13 Kunstschaffenden einen Dialog an.
Photographed by Erró .
Thematic Exhibition . Carolee Schneemann Meat Joy 1964 Not on view Meat Joy embodies Schneemann’s concept of “kinetic theater,” in which performers engage in scored and improvised movements with a range of disparate materials. Internationaler Videokunstpreis 1995. more . The piece revolved … In light of its 15th Anniversary, White Box is pleased to announce its 2013 Spring Benefit, honoring the remarkable work and career of pioneering feminist artist and founding director of Franklin Furnace, Martha Wilson, with the 2nd annual Richard J. Massey Foundation – White Box Arts and Humanities Award. High Times, Hard Times. Medien Kunst Netz 2 / Media Art Net 2. FEMINIST AVANT-GARDE of the 1970s.
Eye Body: 36 Transformative Actions (1963) 35mm black & white film.
The piece was a performance of sorts, but was displayed through the photographs taken by the Icelandic photographer, Erró.
Funding for this interview was provided by a grant from the Terra Foundation for American Art. Carolee Schneemann at Bryn Mawr, Canaday Library, Bryn Mawr College, Bryn … Archives. Her performance piece, Meat Joy had been performed in Paris and NYC at the Judson Church the same year, along with her constructions Native Beauties (1962–64), Music Box Music (1964), Pharaoh's Daughter (1966) and Her Letter to Lou Andreas Salome… The Anagrammatic Body.